 Artist: Yann Tiersen: mp3 download Genre(s): Soundtrack Indie Instrumental Yann Tiersen's discography:  Les Retrouvailles Year: 2005 Tracks: 16  Yann Tiersen-Shannon Wright Year: 2004 Tracks: 10  Good Bye Lenin Year: 2003 Tracks: 23  C'Etait Ici CD2 Year: 2002 Tracks: 13  C'Etait Ici CD1 Year: 2002 Tracks: 16  Le Fabuleux Destin d'Amelie Poulain Year: 2001 Tracks: 25  L'Absente Year: 2001 Tracks: 12  Fabuleux Destin d'Amelie Poulain Year: 2001 Tracks: 24  Amelie Year: 2001 Tracks: 8  Tout Est Calme Year: 1999 Tracks: 10  Le Phare Year: 1998 Tracks: 14  Rue Des Cascades Year: 1997 Tracks: 20  La valse des monstres Year: 1995 Tracks: 17 With his whimsical, melancholy music, Yann Tiersen has become a sought-after composer, not only for his soundtrack mold, simply in his have veracious. Borrowing from French folk music, chanson, shepherd's pipe walk-in and street music, as considerably as rock, vanguard, and classical and minimalist influences, Tiersen's misleadingly simple trend has been likened to Chopin, Erik Satie, Philip Glass, and Michael Nyman. The Paris-based composer became pop outside his native country for his score to Jean-Pierre Jeunet's Amélie, only maintenance most ostensibly overnight successes, he had been operative for age earlier the film's achiever brought him international hail. Born in Brest in Brittany, on June 23, 1970, Tiersen was raised in Rennes and made a name for himself as nonpareil of the star topology pupils at his local indoor garden (contempt middling academic grades). Tiersen studied fiddle and pianoforte from the ages of six-spot to 14, and at long last trained to be a music managing director. However, Tiersen rebelled against his graeco-Roman training and, elysian by the likes of Joy Division and the Stooges, played guitar with several local post-punk-influenced bands during his afterward adolescent age. At the same time, Tiersen was likewise composition soundtracks for short films and date for plays. Several of these pieces ended up on his low record album, Waltz stilbestrol Monstres, in 1995 and introduced his delicate simply profoundly excited style, and which to a fault featured intricate arrangements incorporating instruments as varied as miniature piano, banjo, cembalo, melodica, and carillon, as well as pianissimo and guitar. Tiersen played all of these instruments both in the studio, and in concert, which gave his former, one-man shows a theatrical attract that earned him a touch playing in 1996's Avignon Festival. However, Valse dES Monstres and its followup, 1996's Rue Des Cascades, were largely ignored by the public and by critics. His one-third album, 1998's Phare, met a unlike destiny; its single, "Monochrome," which was song dynasty by French pop genius Dominique A., was a radio hit and propelled the album, and Tiersen, to mainstream success in France. As Tiersen's herald grew, so did the setting of his records. That year's Black Sessions -- a live album of a radio recipient performance -- featured collaborations with Dominique A. and the Divine Comedy's Neil Hannon, as easily bands like Les Têtes Raides and the Married Monk, wHO as well appeared on 1999's more rock-oriented album Tout Est Calme. Soon subsequently, Tiersen was preparing his next record album when he was contacted by Jean-Pierre Jeunet, wHO precious Tiersen to score his adjacent movie, Amélie. Jeunet had heard Tiersen's euphony piece drive and had been so interpreted with it that he bought all of Tiersen's albums. Previously, the composer had contributed euphony to films such as Alice et Martin and La Vie Revee stilboestrol Anges, precisely this was his to the highest degree outstanding celluloid work yet. His Amelie score featured new and old compositions, and the film's success spun sour to Tiersen's music; the soundtrack sold over 200,000 copies in his country of origin. His succeeding proper record album, 2001's Absente, featured collaborations with Lisa Germano, as easily as longtime contributors Hannon and Dominique A., and likewise benefited from Amélie's success, selling century,000 copies in France. Throughout 2001 and 2002, Tiersen embarked on his to the highest degree challenging tours of France and the U.K. to date; this circuit was chronicled in 2003's alive album C'Était Ici. Later that yr, Tiersens' account for Well Bye Lenin! arrived. |
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